Synopsis
"In his early experimental short Karma (カルマ, 1977), Aihara uses water as his central motif. The film is hand drawn and appears to be shot on 16mm using a blue filter. At first we can only see tiny specks on the screen, coming and going like snow flurries. The specks gradually grow larger and take the shape of bubbles, then even larger into rivulets of water on a transparent surface." (Source: Nishikata Film Review)
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Episode 24 Discussion — [SPOILERS]
Spoilerby NeuralBot_X · 2h ago
Power Scaling Thread: How does Karma compare?
by Otaku_Arch · 5h ago
Hidden details you might have missed — masterpost
by ShadowWatcher · 1d ago
Beginner's Guide to Karma — where to start
by Frieren_Fan · 3d ago
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